Posted by: senseilou
You and Your Art. - 02/11/05 11:30 AM
I was wondering how many people had a Sensei who helped in adapting your art so you could do it. An example is, not all techniques work for everyone, some Sensei make the student force the technique, others, will adapt the technique to fit the student. In AIkido I was working with a student about 6'5" with 'gorilla' arms. I am only 5'9", and Sensei wanted me to stop a shomen attack at the apex of the strike. I would have needed a ladder to get it done. I modified it, and got the technique to work, but Sensei came over and said "if you don't do things the way I tell you, you will never get that Black Belt". Sensei was 6'4" and the same weight as me, so we were 2 distinct body types. He also made me do hip throws his way, yet my way worked better for me since I was shorter.
Later on I met a Sensei who said" an art is as only good as its ability to adapt to its students". Another Sensei told me, "here are the requirements, and here is how you do them, if you can't meet the requirements you can't move on." When I was in Hawaii a Sensei told me " the problem with you guys on the mainland is you make everything tailor to fit you, insted of you fitting the art. The art doesn't adapt, you do."
I had a special needs student, MD I believe, and he was in a wheelchair. We would pick up a mat, and set him in the middle, and he tossed people everywhere, and could do technique relatively well. Now he didn't stick around long enough to have a rank situation, however what would you have done? Adapted the art so he could do it, or keep it in tact and explain to him he can't move along. He could do the requirements, yet could never had the part of uke. Does this effect his perspective of the art?
What about a middle aged, out of shape, overweight man who wants to train in the art? He will never be able to do a breakfall, and chances are great you couldn't get him up to do a hip throw.He is just filling space in the dojo, and is never going to be able to do the whole art because of his size and age. What do you do here, adapt the art again, or keep it in tact. A Sensei once said to me, "not everyone can do what we do, so why make it easier, no one made it easier for us. Its simple, either he does what we show, or he doesn't, that is why we have golf"
In Aikido we had a student who had a brain injury from an auto accident, and had flashbacks when he did Judo. He was a tremendously strong individual, and he lifted weights all the time.Especially right after his injury. When he would attack he got carried away and would pick someone up and body slam them. He was told numerous times it wasn't acceptable, he would apologize but did it again and again. One night a Black Belt decided to teach Randori. He you have a powerful beginner, no control, Judo flashbacks, and a plate in his head. When they put him in the middle, bodies went flying everywhere. He hurt 2 and then when his turn to attack, he picked a young lady up about 100 pounds soaking wet and body slammed her. She was taken to the emergency room with broken ribs. Still the class continued, and this student would not stop or listen to anyone. I asked the Sensei to put a stop before more got hurt and he told me I was scared of the student. I told the Sensei he wasn't going to body slam me, and the Sensei said we'll see. So as the student came at me I lined up for a side kick, hopefull to his chest. He lowered his head at the last minute to spear me and caught a side kick to the jaw and out he went.
Naturally I was the bad guy. Knocking out a guy with a plate in his head, but we were not doing randori anymore, and things had spiraled out of control. I was chastised for stopping him, yet his body count was 3 hurt, 1 injured and 5 terrified they would be attacked by him.The situation should have never existed. He should have never been in that class, or that Black Belt should never have taught that class with him there. One of the Sensei said "we teach class, if you can keep up fine, if not bow out" I tailor my classes for who is in the class and what they need to work on. Many times in a class I will have 3 or 4 groups all doing different things. Or I will teach to the level of understanding. But in the case of the student with a mental problem, do you change the art, or force him into a doing what others are doing. You can see the result of allowing him to do what others do.
I have mixed feelings on this. I think disabled or older out of shape people should be allowed to train, yet, really don't want to compromise the art to do so. I have had long discussions with many people and Sensei about this. In todays society everyone feels they have the right to do what they want
(and sue you if you don't let them)Not allowing a special needs person to train is a law suit waiting. Yet do we really want a mentally hampered person tossing people around like a sack of flour? I really appreciate the Hawaiians view that we try to change everything, we do to an extent, but isn' it important for us to make things work for us, even if we have to adapt it? Something to think about.
Later on I met a Sensei who said" an art is as only good as its ability to adapt to its students". Another Sensei told me, "here are the requirements, and here is how you do them, if you can't meet the requirements you can't move on." When I was in Hawaii a Sensei told me " the problem with you guys on the mainland is you make everything tailor to fit you, insted of you fitting the art. The art doesn't adapt, you do."
I had a special needs student, MD I believe, and he was in a wheelchair. We would pick up a mat, and set him in the middle, and he tossed people everywhere, and could do technique relatively well. Now he didn't stick around long enough to have a rank situation, however what would you have done? Adapted the art so he could do it, or keep it in tact and explain to him he can't move along. He could do the requirements, yet could never had the part of uke. Does this effect his perspective of the art?
What about a middle aged, out of shape, overweight man who wants to train in the art? He will never be able to do a breakfall, and chances are great you couldn't get him up to do a hip throw.He is just filling space in the dojo, and is never going to be able to do the whole art because of his size and age. What do you do here, adapt the art again, or keep it in tact. A Sensei once said to me, "not everyone can do what we do, so why make it easier, no one made it easier for us. Its simple, either he does what we show, or he doesn't, that is why we have golf"
In Aikido we had a student who had a brain injury from an auto accident, and had flashbacks when he did Judo. He was a tremendously strong individual, and he lifted weights all the time.Especially right after his injury. When he would attack he got carried away and would pick someone up and body slam them. He was told numerous times it wasn't acceptable, he would apologize but did it again and again. One night a Black Belt decided to teach Randori. He you have a powerful beginner, no control, Judo flashbacks, and a plate in his head. When they put him in the middle, bodies went flying everywhere. He hurt 2 and then when his turn to attack, he picked a young lady up about 100 pounds soaking wet and body slammed her. She was taken to the emergency room with broken ribs. Still the class continued, and this student would not stop or listen to anyone. I asked the Sensei to put a stop before more got hurt and he told me I was scared of the student. I told the Sensei he wasn't going to body slam me, and the Sensei said we'll see. So as the student came at me I lined up for a side kick, hopefull to his chest. He lowered his head at the last minute to spear me and caught a side kick to the jaw and out he went.
Naturally I was the bad guy. Knocking out a guy with a plate in his head, but we were not doing randori anymore, and things had spiraled out of control. I was chastised for stopping him, yet his body count was 3 hurt, 1 injured and 5 terrified they would be attacked by him.The situation should have never existed. He should have never been in that class, or that Black Belt should never have taught that class with him there. One of the Sensei said "we teach class, if you can keep up fine, if not bow out" I tailor my classes for who is in the class and what they need to work on. Many times in a class I will have 3 or 4 groups all doing different things. Or I will teach to the level of understanding. But in the case of the student with a mental problem, do you change the art, or force him into a doing what others are doing. You can see the result of allowing him to do what others do.
I have mixed feelings on this. I think disabled or older out of shape people should be allowed to train, yet, really don't want to compromise the art to do so. I have had long discussions with many people and Sensei about this. In todays society everyone feels they have the right to do what they want
(and sue you if you don't let them)Not allowing a special needs person to train is a law suit waiting. Yet do we really want a mentally hampered person tossing people around like a sack of flour? I really appreciate the Hawaiians view that we try to change everything, we do to an extent, but isn' it important for us to make things work for us, even if we have to adapt it? Something to think about.